Wed, 30 March 2016
Someone to Watch Over Me.
When you live on a starship, you get to know your neighbors. Sometimes you get to know them well. Especially if you’re Seven of Nine and you’re taking an interest in interpersonal relations. Armed with Borg implants and 24th-century Starfleet technology, gathering data is easy. The only problem is that some of your subjects may not want to be part of the study.
In this episode of The Ready Room, we’re joined by Charlynn Schmiedt, Zachary Fruhling, and Phillip Gilfus to discuss “Someone to Watch Over Me.” Join us for the Dance of Conception as the Doctor teaches Seven how to land a date, sweep him off his feet … and break his arm … all while mastering the art of small talk. We also delve into the potential of a Doctor-Seven relationship, what happens when you leave Neelix in charge of caring for diplomats, and the exploits of Leisure Suit Kadi.
In our news segment, we discuss Star Trek: The Animated Series coming to Blu-ray, supposed pre-production photos from the new series, and we debate the StarTrek.com poll that asked which was the best Star Trek relationship.
Feature: Someone to Watch Over Me
Wed, 16 March 2016
It’s Only a Paper Moon.
Events in Star Trek—even tragic ones—rarely have lasting consequences. Deep Space Nine changed that with arcs that took place during the Dominion War. In particular, in the final season, Nog’s injuries in battle led to a deep exploration of the lasting impact of a single moment in time—and they did it with the usual DS9 mix of serious commentary and humor.
In this episode of The Ready Room, we’re joined by Zachary Fruhling and Matthew Rushing to discuss Nog’s retreat to the holosuite, his struggle to come to terms with the physical and emotional damage of his experiences in “The Siege of AR-558,” and the counseling tag-team of Ezri Dax and Vic Fontaine who brought him back to reality.
In our news segment, we discuss additional shooting (reported as reshoots by most media) for Star Trek Beyond, a special agreement between CBS and Paramount that dictated a six-month post-film waiting period for Star Trek’s return to TV, and Rod Roddenberry joining the new series as Executive Producer.
Feature: It’s Only a Paper Moon